The many art philosophers who read this lighthearted mind blog might enjoy the Visual Commentary on Scripture (VCS). Here's an excerpt on James 1:12-27 from the VCS Holy Week series:
Another letter—the Letter of James—also highlights a choice between pathways, and Clare Carlisle Tresch’s exploration of its first chapter with the help of three works of art returns us to a consideration of ‘light’. James’s hearers are to ‘put away filthiness’ (James 1:21) and receive the gifts that come from ‘the Father of Lights’ (v.17).
The self-enclosure of Narcissus in Caravaggio’s baroque painting has led him to turn away from the light. He is mesmerised by his own reflection, captive in the black depths of a pool. By contrast, the contemporary work of landscape sculpture by David Wood faces upwards from the waters on which it floats, fully open to the light ‘from above’ (v.17).
The third work, a Renaissance panel by Fra Angelico, envisages what Jesus’s followers may hope for at the end of the path well chosen: the reward of those who have become ‘children of light’. They have followed the way of the cross, ‘the wisdom of God’, by which the circle of self is broken open and an encircling glory offers its embrace.
An encircling glory offers its embrace. I love that.
God bless,
LSP
